Simon has exhibited photography, film, video and installation work in both the UK and abroad. Recent commissions include his interactive web/performance piece WAVE STRUCTURES presented at the Aldeburgh Festival and his video work SEA HOUSE.

Simon's set and costume designs for theatre include TRIPLE BILL: DNA/BABY GIRL/THE MIRACLE and THE ENCHANTMENT (Cottesloe, National Theatre), KEBAB (Royal Court Thetare Upstairs & Dublin International Festival), ELLING (Bush & West End), FRENCH WITHOUT TEARS (ETT), NOT THE LOVE I CRY FOR (Arcola), ALADDIN AND THE ENCHANTED LAMP based on Philip Pullman’s book at the Bristol Old Vic, JACKETS (Young Vic/Theatre 503), THE BODIES by Peter Flannery (Live Theatre, Newcastle), RUTHERFORD AND SON (Royal Exchange Theatre, Manchester), TALL PHOENIX by Chris O’Connell (Belgrade Theatre, Coventry), ROMEO AND JULIET (Royal Shakespeare Company, Stratford and the Albery), ADAM AND EVE (TPT, Tokyo), six plays for the IMPRINT YOUNG WRITERS FESTIVAL (Royal Court Theatre Upstairs), ASTRONAUT (Theatre O, Barbican Pit and UK Tour), THE CHANGELING (NT Studio), RAFTS AND DREAMS and ACROSS OKA (Royal Exchange Studio, Manchester), RELATIVELY SPEAKING, THE WITCHES, EVERYMAN and HABEAS CORPUS (Northampton Theatres), UNDER THE CURSE and TRAGEDY: A TRAGEDY (Gate Theatre), TOUCHED (RSAMD, Glasgow), THE SINGING GROUP and EXCLUDE ME (Chelsea Theatre), FRAGILE LAND (Hampstead Theatre), THE ARBITRARY ADVENTURES OF AN ACCIDENTAL TERRORIST (NYT, Lyric Hammersmith Studio), KES (NYT, Lyric Hammersmith).

Recent design for dance includes BLOOM choreographed by Aletta Collins for Rambert Dance Company and THE STEPFATHER choreographed by Arthur Pita for Candoco.

Design for film includes THE FALL (35mm, NFTS)and five short films shot in Ghana for the charity Scriptnet.

As co-director of the arts company Scale Project, Simon has collaborated on site-specific performances in Harlow Town Hall, The Arches, Glasgow and in a Siberian nuclear bunker.

Simon has recently been part of an international collaboration between the Peruvian company LOT Teatro and UK based artists (supported by the New Wolsey Theatre) which culminated in a performance at Bentwaters airbase.

Simon studied Fine Art at Winchester School of Art and Glasgow School of Art followed by a Postgrad at Motley Theatre Design Course, London.